洞穴小说视角下解读“射雕三部曲” = Interpretation of Jin Yong's Legend of the Condor Heroes, Condor Hero and The Heaven Sword and Dragon Saber from the perspective of cave fiction

《射雕英雄传》、《神雕侠侣》、《倚天屠龙记》并称为金庸“射雕三部曲”，在这三部小说中，多以不同种类的洞穴推动剧情发展，展现武侠世界的江湖奇遇，张无忌意外得到九阳真经的昆仑山洞穴，小龙女和杨过相遇的活死人墓皆是。“洞穴”不再是一个普通的场景，而是成为了小说中不可缺少的元素，从洞穴小说的眼光看待“射雕三部曲”，将会有更贴切的感悟。 本文试图从“射雕三部曲”的各个主角所历经过的密境为代表，以“洞穴”为切入点，分析江湖侠客的人物形象，以及洞穴空间建构的过程与结果，以更好地解读金庸武侠小说。 关键词：金庸；“射雕三部曲”；武侠小说；“洞穴”；空间建构 In Jin Yong's Jin Yong’s Legend of the Condor Heroes, Condor Hero and The Heaven Sword and Dragon Saber, different kinds of caves are used to promote the plot development and to show the strange encounters in the world of martial arts, such as the substructure cave in Kunlun Mountain where Zhang Wuji finds the Nine Sun Sutra, and the Tomb of the Living Dead where the Little Dragon Girl and Yang Yue meet. The "cave" is no longer an ordinary scene but has become an indispensable element in the novel. It will be more pertinent. This paper attempts to analyse the characters of the Jianghu warriors and the process and results of the construction of the cave space, taking the "cave" as the entry point to better interpret Jin Yong's martial arts novels, on behalf of the secret places experienced by the protagonists of the "Condor Hero". Keywords: Jin Yong; martial arts novels; "cave"; spatial construction.Bachelor of Arts in Chines